How 6 Illustrators Use Newsprint Portfolios

liam hopkins illustration portfolio newspaper

Promoting yourself can feel icky, but there's no way around it if you're pursuing a creative career.

But there are things you can do to make it less painful – using a portfolio format that feels honest to your style is one of them. That's why cartoonist Oslo Davis chose newsprint: "Newspapers are no-nonsense and less precious than glossy magazines. They don't take themselves too seriously."

The tactility of newsprint is well-suited to illustration — here's how 6 illustrators used the format to share their work (and even land a job!)


Maxime Cousseran

French artist Maxime Cousseran turned her travel sketchbook into a bold, monochrome portfolio. She made the drawings in her digital broadsheet on a trip to Latin America, where she visited Argentina, Bolivia, Peru, Colombia and Cuba. Each scene takes up a double-page spread and the black-and-white palette feels clean and refreshing – like a nice holiday in itself.

raymond biesinger illustration portfolio newspaper

Raymond Biesinger

If you read Monocle, WIRED or The New Yorker you've probably seen (and likely admired) the work of Montréal-based illustrator Raymond Biesinger. Or maybe you've heard his band, The Famines, which released the first-ever newsprint LP.

The inside-out feline on the cover of Biesinger's digital tabloid portfolio was a personal project – it's his studio cat, Cleo. Biesinger says the drawing is "for anyone who's ever stared into his or her favourite pet's eyes and asked 'What's inside that thing?'"

rob wilson illustration portfolio newspaper

Rob Wilson

Newsprint was a natural fit for Rob Wilson's drawings, which regularly accompany articles in the Wall Street Journal. Mixed in with editorial work in this portfolio are book covers, theater posters and designs for the popular podcast Welcome to Night Vale.

Wilson's printed a couple batches of portfolios (on silkier 90gsm paper) to leave behind with art directors he meets. Earlier this year, Wilson talked to us about the pace of editorial illustration (fast!) and what he's learned about printing a portfolio.

Liam Hopkins newsprint illustration portfolio printed by Newspaper Club

Liam Hopkins

Liam Hopkins just graduated from ArtCenter College of Design in Pasadena, California. He pinned his digital tabloids to his "grad wall", a space where the graduates share their work and show what they've accomplished in their time at ArtCenter.

"I wanted to give out something that was different and that complimented my work," he tells us. "By the end of the grad show almost all of the newspapers were taken and people seemed to love them so I was thrilled!"

Christian Schubert illustration portfolio newspaper

Christian Schubert

Odd details reveal themselves the longer you look at Christian Schubert's drawings. His work is funny and weird and very bright and made it into Lucky Peach and Bloomberg while he was still a student.

After graduating from Shillington College last winter,  Schubert printed 20 copies of his illustration portfolio to send to agencies he hoped would hire him. "This worked better than I could have ever imagined," he told us. "The day after sending them out, I was offered a placement at I Love Dust – and 2 weeks later I was offered a permanent position there!"

Schubert's work would stand out in any medium, but according to him "there's something indescribable about the look and feel newsprint gives you. It just feels really satisfying to look at and touch. Plus it smells awesome!"


Matthew Hollister

Seattle-based Matthew Hollister wanted to try something different for his latest studio update. "Usually illustrators send postcards when trying to connect with new clients," he tell us. "But that felt a little too disposable."

He went with a digital tabloid instead, rounding up recent work for WIRED, Nike, The Boston Globe and The New Yorker. Some personal projects made the cut too, like the above portrait of singer The Weeknd from Hollister's series of people with great hair.

"I love the idea of getting a group of images in front of someone as opposed to one or two on a postcard," says Hollister. "I’ve always made zines and printing a newspaper felt similar."

It's Illustration Week at Newspaper Club!

See also: A Broadsheet for Quentin Blake's Larger-Than-Life Drawings and Interview with Arist Koak About Her First Solo Exhibition, Bathers.

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