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Our Newspaper of the Month for June is Penny, a new, collaborative publication of illustrated flash prose. After a year-long digital experiment, Penny launched not one, but two print editions: a perfect-bound magazine and a digital tabloid newspaper. They polled their readers to pick the final format – and newsprint won!
Issue One features work from 34 established and emerging illustrators and writers, including Jerome Charyn (whom Michael Chabon calls “one of the most important writers in American literature").
We caught up with co-editor Kate Thomas to find out why they made the leap from digital to newsprint and what the future holds for Penny.
Flash prose is very short fiction, creative nonfiction or prose poetry. Flash prose is perfect for the new and unusual, because the reader gives less of their time and is more accepting of risks. It's also a great disruptor to the everyday because it can be read on a break, a commute, really whenever and wherever.
We also wanted to be there for those who would love to read longer work, but are simply very busy. Perfect example, here's what happened when I tried to take a picture of my husband reading our new issue of Penny tonight:
Penny is named after The Penny Magazine, an illustrated British magazine (on newsprint!) from the 19th century, aimed at the working and middle classes.
Our main mission in publishing Penny is to bring more readers into the literary fold, and our move to print is a continuation of that goal. Print doesn’t have to compete with a thousand other things coming at you through your phone, and it also sits around as a reminder, inviting you to read it.
Printing on newsprint also adds a new level of interactivity, as the illustrations get second lives as posters, and in this issue, there’s even an opportunity for readers to be their own colorist for one of the illustrations (okay, it's a coloring page).
If you’re more digitally inclined, you can still find all of our content online. Our approach to curation will remain the same: wonderful illustrated prose that is more than the sum of its parts.
We’re actually putting them out at the same time. My editing partner, Jennifer McPheeters, and I have joked from the beginning that we are a modern-day version of The Odd Couple. She goes for all things classic, and I like to experiment, stay fluid, and pull in different ideas.
I’ve been obsessed with newsprint for years, and when we discussed the move to print, I seized on the chance to see our wonderful illustrations printed large enough to feel like it's your whole world in that minute, and as a format it makes us affordable to more people. Jennifer envisioned a more traditional format that would look right at home on your bookshelf.
Realizing that we represented two different sections of our demographic, we developed both iterations. We’ll let our readers decide for themselves what a literary zine of illustrated prose should look like!
Our illustrated shorts are a call-and-response between talented artists. Sometimes the call comes from the illustrator, and sometimes it comes from the writer. But in every instance, the best combinations complement, rather than explain, each other.
Hands down, seeing it in print. I’ve been designing digitally longer than I have in print, and though a print publication is not nearly as forgiving of mistakes as a website (you can’t undo a printed typo!), printed material gives a much more visceral satisfaction, and it feels a lot like finding treasure. I’ve been collecting old newspapers and magazines for years, so to make one is a real joy.
Every month, we give a £100 Newspaper Club voucher to one newspaper shared in The Newsagent. If you’ve printed a newspaper with us, share it (through the settings in your account) for a chance to win.
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